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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>Resources for music production, music education, and all things audio.</description><title>Lynch Audio</title><generator>Tumblr (3.0; @lynchaudio)</generator><link>http://lynchaudio.tumblr.com/</link><item><title>50 Ableton Live Shortcuts </title><description>&lt;a href="http://www.synthtopia.com/content/2009/06/08/50-ableton-live-shortcuts/"&gt;50 Ableton Live Shortcuts &lt;/a&gt;: &lt;p&gt;&lt;a href="http://blog.winksound.com/post/24963946558/50-ableton-live-shortcuts" class="tumblr_blog"&gt;winksound&lt;/a&gt;:&lt;/p&gt;

&lt;blockquote&gt;&lt;p&gt;&lt;a href="http://www.synthtopia.com/"&gt;Synthtopi&lt;/a&gt;a put together a great list of 50 Ableton Live shortcuts to help speed up your production workflow. &lt;/p&gt;&lt;/blockquote&gt;</description><link>http://lynchaudio.tumblr.com/post/24967374042</link><guid>http://lynchaudio.tumblr.com/post/24967374042</guid><pubDate>Tue, 12 Jun 2012 15:00:22 -0400</pubDate></item><item><title>Great list of audio tutorial sites from AudioTuts</title><description>&lt;a href="http://bit.ly/w3YFh0"&gt;Great list of audio tutorial sites from AudioTuts&lt;/a&gt;: &lt;p&gt;Part of the “Monster List of Audio Sites” series.&lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/17488810743</link><guid>http://lynchaudio.tumblr.com/post/17488810743</guid><pubDate>Sun, 12 Feb 2012 10:17:50 -0500</pubDate><category>audio</category><category>audio production</category><category>music theory</category><category>Music Production</category><category>guitar</category><category>piano</category></item><item><title>RIAA lashes out at Google. </title><description>&lt;a href="http://bit.ly/yKZ5BI"&gt;RIAA lashes out at Google. &lt;/a&gt;: &lt;p&gt;Wait, are we still suposed to be afraid of home taping? I forget. &lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/17317687621</link><guid>http://lynchaudio.tumblr.com/post/17317687621</guid><pubDate>Thu, 09 Feb 2012 09:04:29 -0500</pubDate><category>riaa</category><category>mpaa</category><category>copyright</category><category>copywrong</category></item><item><title>I’m definitely trying this with my Novation...</title><description>&lt;iframe width="400" height="225" src="http://www.youtube.com/embed/umsO-KLjRX8?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;I’m definitely trying this with my Novation Launchpad… tomorrow. Today is for football :)&lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/17093017242</link><guid>http://lynchaudio.tumblr.com/post/17093017242</guid><pubDate>Sun, 05 Feb 2012 10:20:28 -0500</pubDate><category>novation</category><category>launchpad</category><category>ableton</category><category>ableton live</category><category>Music Production</category><category>emp</category></item><item><title>The Sky Is Rising</title><description>&lt;a href="http://bit.ly/z9CiD2"&gt;The Sky Is Rising&lt;/a&gt;: &lt;p&gt;Interesting picture of a growing and prosperous entertainment industry. &lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/16863503553</link><guid>http://lynchaudio.tumblr.com/post/16863503553</guid><pubDate>Wed, 01 Feb 2012 09:13:01 -0500</pubDate><category>music</category><category>sharing</category><category>piracy</category><category>video games</category><category>mpaa</category><category>riaa</category></item><item><title>Trent Reznor &amp; Atticus Ross Mix Stems: “The Girl With The Dragon Tattoo” </title><description>&lt;a href="http://bit.ly/xHGTvo"&gt;Trent Reznor &amp; Atticus Ross Mix Stems: “The Girl With The Dragon Tattoo” &lt;/a&gt;: &lt;p&gt;Pretty Awesome. Reznor &amp; Ross make their mix stems from “The Girl With The Dragon Tattoo” soundtrack available for free download. Go have at them! &lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/16658508783</link><guid>http://lynchaudio.tumblr.com/post/16658508783</guid><pubDate>Sat, 28 Jan 2012 17:26:09 -0500</pubDate><category>audio</category><category>nin</category><category>Music Production</category><category>samples</category><category>soundtracks</category><category>ableton</category></item><item><title>Layering drum samples in Ableton Live</title><description>&lt;a href="http://bit.ly/wZtbPg"&gt;Layering drum samples in Ableton Live&lt;/a&gt;: &lt;p&gt;Check out my LoopTV exclusive tutorial on the fastest ways to layer your drum sounds in Ableton Live! 3 minutes to bigger drums!&lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/16576325761</link><guid>http://lynchaudio.tumblr.com/post/16576325761</guid><pubDate>Fri, 27 Jan 2012 08:27:14 -0500</pubDate><category>ableton</category><category>ableton live</category><category>looptv</category><category>audio</category><category>samples</category><category>drums</category><category>emp</category><category>Music Production</category></item><item><title>Right on. 
postdubstep:

The Evolution Of Music OnlineThis is an...</title><description>&lt;iframe width="400" height="225" src="http://www.youtube.com/embed/puC38rhREvc?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Right on. &lt;/p&gt;
&lt;p&gt;&lt;a class="tumblr_blog" href="http://mthrfnkr.com/post/16526456443/the-evolution-of-music-online-this-is-an-amazing"&gt;postdubstep&lt;/a&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;The Evolution Of Music Online&lt;br/&gt;&lt;/strong&gt;This is an amazing mini documentary on music blogs and websites. It also shortly features our contributor The Needle Drop and is the best example why bullshit bills like SOPA and PIPA shouldn’t pass.&lt;br/&gt;The video features:&lt;br/&gt;&lt;span&gt;Jon Cohen, Co-Founder, FADER Label&lt;/span&gt;&lt;br/&gt;Ryan Dombal, Senior Editor, Pitchfork&lt;br/&gt;Blake Whitman, VP of Creative Development, Vimeo&lt;br/&gt;Anthony Volodkin, Founder, Hype Machine  &lt;/p&gt;
&lt;/blockquote&gt;</description><link>http://lynchaudio.tumblr.com/post/16551989696</link><guid>http://lynchaudio.tumblr.com/post/16551989696</guid><pubDate>Thu, 26 Jan 2012 20:16:21 -0500</pubDate><category>Music Production</category><category>video</category><category>music videos</category><category>audio</category><category>music blogs</category></item><item><title>The Covert Operators Final Sale</title><description>&lt;a href="http://www.thecovertoperators.org/the-covert-operators-final-sale"&gt;The Covert Operators Final Sale&lt;/a&gt;: &lt;p&gt;Check out the Covert Operators final sale. These guys put together some great Live packs! &lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/16365589614</link><guid>http://lynchaudio.tumblr.com/post/16365589614</guid><pubDate>Mon, 23 Jan 2012 16:21:27 -0500</pubDate></item><item><title>Kinda want. Looks like a solid piece of gear for $500.</title><description>&lt;iframe width="400" height="225" src="http://www.youtube.com/embed/T7O946lG7Ik?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Kinda want. Looks like a solid piece of gear for $500.&lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/16228342411</link><guid>http://lynchaudio.tumblr.com/post/16228342411</guid><pubDate>Sat, 21 Jan 2012 10:35:45 -0500</pubDate><category>Music Production</category><category>audio</category><category>namm</category><category>namm2012</category><category>synth</category><category>analog</category></item><item><title>The Music of 2011: Kid Kameleon Picks, Om Unit Mix, Techno Mix</title><description>&lt;a href="http://createdigitalmusic.com/2012/01/the-music-of-2011-kid-kameleon-picks-om-unit-mix-techno-mix/"&gt;The Music of 2011: Kid Kameleon Picks, Om Unit Mix, Techno Mix&lt;/a&gt;: &lt;p&gt;Great list of 2011 EM!&lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/16033895708</link><guid>http://lynchaudio.tumblr.com/post/16033895708</guid><pubDate>Tue, 17 Jan 2012 19:41:00 -0500</pubDate><category>electronic music</category><category>edm</category><category>music</category><category>2011</category></item><item><title>
‘Street Spirit’ is our purest song, but I didn’t write it. It...</title><description>&lt;iframe class="tumblr_audio_player tumblr_audio_player_15872321649" src="http://lynchaudio.tumblr.com/post/15872321649/audio_player_iframe/lynchaudio/tumblr_lxtl2bv92M1r1cc7m?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Flynchaudio%2F15872321649%2Ftumblr_lxtl2bv92M1r1cc7m" frameborder="0" allowtransparency="true" scrolling="no" width="500" height="169"&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;blockquote&gt;
&lt;p&gt;‘Street Spirit’ is our purest song, but I didn’t write it. It wrote  itself. We were just its messengers; its biological catalysts. Its core  is a complete mystery to me, and, you know, I wouldn’t ever try to write  something that hopeless. All of our saddest songs have somewhere in  them at least a glimmer of resolve. ‘Street Spirit’ has no resolve. It  is the dark tunnel without the light at the end. It represents all  tragic emotion that is so hurtful that the sound of that melody is its  only definition. We all have a way of dealing with that song. It’s  called detachment. Especially me; I detach my emotional radar from that  song, or I couldn’t play it. I’d crack. I’d break down on stage. That’s  why its lyrics are just a bunch of mini-stories or visual images as  opposed to a cohesive explanation of its meaning. I used images set to  the music that I thought would convey the emotional entirety of the  lyric and music working together. That’s what’s meant by ‘all these  things you’ll one day swallow whole’. I meant the emotional entirety,  because I didn’t have it in me to articulate the emotion. I’d crack…&lt;/p&gt;
&lt;p&gt;Our fans are braver than I to let that song penetrate them, or maybe  they don’t realise what they’re listening to. They don’t realise that  ‘Street Spirit’ is about staring the fucking devil right in the eyes,  and knowing, no matter what the hell you do, he’ll get the last laugh.  And it’s real, and true. The devil really will get the last laugh in all  cases without exception, and if I let myself think about that too long,  I’d crack.&lt;/p&gt;
&lt;p&gt;I can’t believe we have fans that can deal emotionally with that  song. That’s why I’m convinced that they don’t know what it’s about.  It’s why we play it towards the end of our sets. It drains me, and it  shakes me, and hurts like hell every time I play it, looking out at  thousands of people cheering and smiling, oblivious to the tragedy of  its meaning, like when you’re going to have your dog put down and it’s  wagging its tail on the way there. That’s what they all look like, and  it breaks my heart. I wish that song hadn’t picked us as its catalysts,  and so I don’t claim it. It asks too much. I didn’t write that song.&lt;/p&gt;
&lt;p&gt;Thom Yorke&lt;/p&gt;
&lt;/blockquote&gt;

&lt;p&gt;Wow&lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/15872321649</link><guid>http://lynchaudio.tumblr.com/post/15872321649</guid><pubDate>Sun, 15 Jan 2012 00:58:34 -0500</pubDate></item><item><title>This is a great trick for programming unique drums, from Pat...</title><description>&lt;iframe width="400" height="225" src="http://www.youtube.com/embed/p5P3-voXgRA?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;This is a great trick for programming unique drums, from Pat Cupo at Dubspot. Not only is it super useful, but it really speaks to the flexibility and depth of Ableton Live. &lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/15625024509</link><guid>http://lynchaudio.tumblr.com/post/15625024509</guid><pubDate>Tue, 10 Jan 2012 12:55:00 -0500</pubDate><category>Ableton</category><category>ableton live</category><category>Music Production</category><category>beats</category><category>audio</category><category>audio production</category><category>DAW</category></item><item><title>Check out my new Ableton Live tutorial on using follow actions...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/AfXjSEEU7gE?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Check out my new Ableton Live tutorial on using follow actions to create glitch patterns. In the description of the video are links to my other videos about exactly how to setup follow actions, in case you’re beginning from that point. Hope you enjoy!&lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/15578522000</link><guid>http://lynchaudio.tumblr.com/post/15578522000</guid><pubDate>Mon, 09 Jan 2012 15:28:57 -0500</pubDate><category>Ableton</category><category>ableton live</category><category>glitch</category><category>Music Production</category><category>glitch music production</category><category>audio</category><category>audio production</category><category>beats</category><category>electronic music</category><category>edmp</category></item><item><title>Top 5 Ableton Tutorials of 2011: Dubspot</title><description>&lt;a href="http://blog.dubspot.com/top-5-dubspot-ableton-live-video-tutorials-of-2011/"&gt;Top 5 Ableton Tutorials of 2011: Dubspot&lt;/a&gt;: &lt;p&gt;There’s some great stuff in here. From vocal production to glitch drum tricks. Check them out.&lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/15492229585</link><guid>http://lynchaudio.tumblr.com/post/15492229585</guid><pubDate>Sat, 07 Jan 2012 23:47:00 -0500</pubDate><category>Ableton</category><category>ableton live</category><category>Music Production</category><category>audio</category><category>audio production</category><category>DAW</category></item><item><title>Electronic Music Theory: 8 Rhythmic Devices You Should Know (Polyrhythm, Syncopation +)</title><description>&lt;a href="http://blog.dubspot.com/electronic-music-theory-8-rhythmic-devices/"&gt;Electronic Music Theory: 8 Rhythmic Devices You Should Know (Polyrhythm, Syncopation +)&lt;/a&gt;: &lt;p&gt;One of my favorite music theory teachers always said that, “rhythm is the fundamental syntax of music.” This is a really great introduction to some rhythmic concepts every producer/musician should understand. &lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/15476746197</link><guid>http://lynchaudio.tumblr.com/post/15476746197</guid><pubDate>Sat, 07 Jan 2012 18:47:00 -0500</pubDate><category>Music Production</category><category>electronic music</category><category>rhythm</category><category>daw</category><category>music theory</category></item><item><title>How to hear important frequencies</title><description>&lt;a href="http://audio.tutsplus.com/tutorials/mixing-mastering/6-different-frequencies-and-how-to-spot-them/"&gt;How to hear important frequencies&lt;/a&gt;: &lt;p&gt;Muddy mixes? Dull vocals? Stepped-on drums? Check out this quick explanation of important frequencies and how to hear &amp; adjust them. &lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/15453399926</link><guid>http://lynchaudio.tumblr.com/post/15453399926</guid><pubDate>Sat, 07 Jan 2012 10:29:00 -0500</pubDate><category>audio</category><category>audio production</category><category>mixing</category><category>DAW</category><category>Music Production</category><category>recording</category></item><item><title>Check out my tutorial on using follow actions in Ableton Live....</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/dyiXaGb1I_E?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Check out my tutorial on using follow actions in Ableton Live. There are ton’s of uses for follow actions; creating an arrangement to play along with, using them to improvise an arrangement, creating crazy glitch patterns, etc. This is a basic overview that will be the foundation for some more in-depth videos in the near future. &lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/15399691183</link><guid>http://lynchaudio.tumblr.com/post/15399691183</guid><pubDate>Fri, 06 Jan 2012 10:13:15 -0500</pubDate><category>ableton</category><category>ableton live</category><category>glitch</category><category>Music Production</category><category>audio</category><category>audio production</category><category>tutorials</category><category>software</category></item><item><title>Check out my tutorial on how to create “128s” in...</title><description>&lt;iframe width="400" height="225" src="http://www.youtube.com/embed/vA94b0yX6iM?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Check out my tutorial on how to create “128s” in Ableton Live’s Sampler. A 128 is a palate of sounds, and a way to turn a sampler into a flexible sound replacement tool. It’s also the basis for a lot of awesome glitch tricks, and inspirational writing techniques, so it’s a good concept to master.  &lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/15332496038</link><guid>http://lynchaudio.tumblr.com/post/15332496038</guid><pubDate>Thu, 05 Jan 2012 00:10:22 -0500</pubDate><category>Ableton</category><category>ableton live</category><category>tutorials</category><category>Music Production</category><category>audio</category><category>audio production</category><category>glitch</category><category>samples</category></item><item><title>Excellent Series on Achieving a Better Audio Mix!</title><description>&lt;a href="http://therecordingrevolution.com/videos/"&gt;Excellent Series on Achieving a Better Audio Mix!&lt;/a&gt;: &lt;p&gt;Check out the “5 minutes to a better mix” series at The Recording Revolution. It’s jam packed with useful tips, and Graham has just stared on a second series of “better mix” videos. Peep it!! &lt;/p&gt;</description><link>http://lynchaudio.tumblr.com/post/15299963995</link><guid>http://lynchaudio.tumblr.com/post/15299963995</guid><pubDate>Wed, 04 Jan 2012 12:44:00 -0500</pubDate><category>mixing</category><category>Music Production</category><category>electronic music</category><category>audio</category><category>audio production</category><category>recording</category></item></channel></rss>
